Poetry & Fiction

• “A Dispensable Woman”, Boston Review (Arts in the time of Quarantine Special Feature)
• “Unearthings: Notes From A Séance”, Cosmonauts Avenue
• “My Lover, And Other Summer Relics”, Electric Literature
• “Note to the Boy Kicking the Stone”, Poetry Society
• “5 Poems”, Enkare Magazine
• “Growths”, “For Ice”, Saraba Magazine (The Solitude Issue)

Non Fiction & Journalism

• “Death Decreed on Zoom”, Rest of World, 2020
• “The end of love is a thing of ugly brilliance”, Ploughshares (online)
• I Who Exist, I Am No Longer Silence (On Stephen Tayo’s Ibeji Photographs in Rele Gallery’s Young Contemporaries Anniversary Issue), 2019
• “Me Too in Nigeria” (In Africa is a Country for 16 Days of Activism), 2019
• “I Move My Body like All the Other Bodies I Watch”, Invisible Borders: Border’s Within II (Journeys within Nigeria), 2017
• “Keeping a Subculture Alive”, The Theatre Times, 2017
• “Should it Matter How The Mass Is Mobilized?”, openDemocracy, 2015

Interview & Reviews

• Brittle Paper: Making an Archive of Private Memory: Interview with Kechi Nomu, 2019
• Poetrysociety.org: In Their Own Words: Eleven New Generation African Poets, 2018
• Emerging Writers Network:  Book Review 2018-002: Acts of Crucifixion by Kechi Nomu, 2018

Anthologies

• Other Valuable Angles, Cambridge Excellence in English, Senior Secondary 1, (Cambridge University Press. South Africa)
• “Be Happy”, It Wasn’t Exactly Love: Stories from the 2012 Farafina Trust Creative Writing Workshop

Chapbooks

• Acts of Crucifixion, African Poetry Book Fund & Akashic Books, 2018.
• We Hold the World Briefly as it Moves, Meditations on the road and travels with the Trans-African Artist Collective Invisible Borders published in 2019. The project won the inaugural Von Brochowski-Süd-Nord-Prize.