“A Dispensable Woman”, Boston Review (Arts in the time of Quarantine Special Feature)
“Unearthings: Notes From A Séance”, Cosmonauts Avenue
“My Lover, And Other Summer Relics”, Electric Literature
“Note to the Boy Kicking the Stone”, Poetry Society
“5 Poems”, Enkare Magazine
“Growths”, “For Ice”, Saraba Magazine (The Solitude Issue)
Non Fiction & Journalism
“Death Decreed on Zoom”, Rest of World, 2020
“The end of love is a thing of ugly brilliance”, Ploughshares (online)
I Who Exist, I Am No Longer Silence (On Stephen Tayo’s Ibeji Photographs in Rele Gallery’s Young Contemporaries Anniversary Issue), 2019
“Me Too in Nigeria” (In Africa is a Country for 16 Days of Activism), 2019
“I Move My Body like All the Other Bodies I Watch”, Invisible Borders: Border’s Within II (Journeys within Nigeria), 2017
“Keeping a Subculture Alive”, The Theatre Times, 2017
“Should it Matter How The Mass Is Mobilized?”, openDemocracy, 2015
Interview & Reviews
Brittle Paper: Making an Archive of Private Memory: Interview with Kechi Nomu, 2019
Poetrysociety.org: In Their Own Words: Eleven New Generation African Poets, 2018
Emerging Writers Network: Book Review 2018-002: Acts of Crucifixion by Kechi Nomu, 2018
Anthologies
Other Valuable Angles, Cambridge Excellence in English, Senior Secondary 1, (Cambridge University Press. South Africa)
“Be Happy”, It Wasn’t Exactly Love: Stories from the 2012 Farafina Trust Creative Writing Workshop
Chapbooks
Acts of Crucifixion, African Poetry Book Fund & Akashic Books, 2018.
We Hold the World Briefly as it Moves, Meditations on the road and travels with the Trans-African Artist Collective Invisible Borders published in 2019. The project won the inaugural Von Brochowski-Süd-Nord-Prize.